Georg Viktor
In marble or bronze, gorgeous hips, arch of a foot or emotion of a breast, Georg Viktor puts flesh and mineral face to face, adorning his sculptures with fossilized lingerie, forever impossible to remove.
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Hans Bellmer’s dolls
The dolls of Hans Bellmer, erotic and decadent montages of inverted or supernumerary limbs, broken or hanged by a stump, endowed with a strong and disconcerting sexuality, often grotesque, refer to the early thirties in Germany.
Germany
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Yates Lansing
Yates Lansing’s sculptures show very carnal curves while keeping visible the lines of the wood, a softness of touch that takes the grain and pre-existing cracks into account, a sensual meeting between material and representation.
Colorado, United States
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Sculptures.cx (Claude Reitz)
The shapes refined until the forgetting of the model, curves suggestive of bodies, of motionless sweetness and voluptuousness in tin or patinized earth, shapes going sometimes as far as abstract, but always expressing carnal eroticism, like trapped.
France
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Body sculpture (Ken Clarke)
In bronze or white coating, Ken Clarke’s snapshots freeze the models’ poses in a transient balance, whereas bigger sculptures truncate the bodies to render the core of grace without limbs’ movements of which presence remains, ghostly, in the gaps they define.
London, England, United Kingdom
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Saledo
Saledo’s bronzes add to the relief that arises of their plate all the density and all the weight of their matter, and remain however of a very refined visual lightness, inviting the nest of our palms to offer a little warmth, to enable them to give back the life they trapped.
Verona, Venetia, Italy
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