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Women: Sculptures


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Isabelle de Grandmaison
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Pocket cupids with full and sensuous shapes that hold well in the hand, smooth bronzes, frolic and extravagant sculptures of free sensual women with roundnesses in their prime.

Sète, Languedoc-Roussillon, France


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Isabelle de Grandmaison

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Pascal Rérat

Women of earth before being of bronze, women with squat postures so vivid they seem ready to rise and move to go on their movement, women with wide hips and strong thighs, coiled-up wise women waiting only a sign or a look to move us, women standing in the fullness of their being or posing in interlacing couples.

Geneva, Switzerland


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Pascal Rérat

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John DeAndrea

Representations truer than nature of life-size models, in polyvinyl sculptures cast then painted to the tiniest detail of the veins and sunburnt to reach an unmatched level of realism, a three-dimensional trompe l’œil.

Morrison, Colorado, United States


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John DeAndrea

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Boris Shpeizman
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Glass, plastic and steel sculptures worn close to the body, like a three-dimensional lingerie that plays on reflections and transparencies and warmed up by the flesh, exoskeleton of desire that adorns the body of its organic protuberances.

Jerusalem, Jerusalem district, Israel


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Boris Shpeizman

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Kathy Cappilati

Feelings and attitudes rendered with a serene quietness and an exemplary softness, sculptures that hold all of that in such a small volume far from being fragile, a density of senses and material for a straightforward message, a unique emotion that stretches out when the eye sees a new detail and changes its point of view.

Lyon, Rhône-Alpes, France


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Kathy Cappilati


Muse

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Bodyshow

Casts of chest and bellies, those clay pieces with delicate fragility do not merely reproduce the reality of the bodies but dress them with laces and ribbons, with lingerie of an alluring realism, playing on that form like a garment and blurring the marks of flesh and matter in a sublime sensuousness.

France


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Bodyshow

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Randy Cooper
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Network of wire, true coat of mail as light as air, Randy Cooper’s sculptures do not only render the curves of the bodies with a disconcerting sensual realism, they bring them to light, playing on points of view to highlight the magic of their transparencies, projecting moving shadows with a subtlety and an evanescence even more thorough as their model’s.

Albuquerque, New Mexico, United States


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Randy Cooper

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Chad Awalt

Skins alternating between full and hollow shapes that define a volume by the emptiness they enclose, frailty of the wood as medium of those light skins that seem to want to fly away with the lesser breath of air and shiver at the lesser sigh, pieces of torsos and bodies like a life-size extract sufficient enough to inhabit the imagination with the missing parts, work of memory and creation for the viewer who needs to take part in the statue to light it up and treasure it.

Atlanta, Georgia, United States


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Chad Awalt

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Yves Anane
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Abstraction of the shape to only keep of it a pure and willowy line with a strong dynamic, impetus of the body in a spiral of desire with sharp angles and fined down curves of an ineffable tenderness, like a silhouette with absolute lightness made of bronze, glass or plaster, evolution of the object from the sketch to the final version, gracious curves that inhabit other media, as Indian ink or etching for as strong an emotion.

Paris, Île-de-France, France


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Yves Anane

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Bea Vangertruyden

Bronze sculptures in concretions of shapes like the accumulation of years and experiences to lead to faces with burden features, long gaunt silhouettes which plaster sheets let us see the mesh structure inside by places as many open wounds and memories inscribed in the body, little unfinished characters which bodies are tortured of ceramic additions their cooking gives that dusty and timeless aspect.

Diepenbeek, Limburg, Netherlands


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Bea Vangertruyden

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