Incubus' Choice


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Women: Sculptures


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Todji Kurtzman
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Fertility goddesses in a contemporary form, Todji Kurtzman’s sculptures play on forced perspective to emphasize the idea of movement with hypertrophied legs and tiny bodies and heads, the whole of it bringing a lot of vitality to the characters.

Portland, Oregon, United States


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Todji Kurtzman

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Alisa Gabrielle
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Cubes showing on one face an organ or a body part, tongue, tit or lips, the neutrality of the white color and the geometric shape making abstract and out of context those pieces of the self in parts we combine in a construction game in which each part refers to the others, marble lingams, phallus erected in penile colony which form and repetition make hardly recognizable at first glance. A painting gallery too with generous curvalicious shapes, with strong contrasted colors, the reds answering the blues in a dialog of warm and cold.

California, United States


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Alisa Gabrielle

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Jamie McCartney
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Beautifully made bodycasts, the curves rendered with a realism and a sensuality of the most exquisite, up to the bottom of the face that just needs to be adorned with eyes to take life, and casts of other body parts, and astonishing series like Sexydermy with such suggestive names as Arma-dildo, Pussy cat, or Blow fish, transforming animals in disturbing sexual objets.

Brighton, England, United Kingdom


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Jamie McCartney

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Sylvain Bosz
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Statuettes in earthen ware of synthetic plaster that, in spite of their small size, express all the grace and the lightness of the female being, the sensuality of her curves artistically rendered, sometimes with humor like that Belle Hélène color emerald we would gladly eat as dessert.

Paris, Île-de-France, France


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Sylvain Bosz

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Martine Edelman
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Embraced bodies in the tender intimacy of the couple cut itself off from the outside world, equilibriums with vertical or horizontal bar in an impetus that remains steady as each one counterbalances the other and takes part in her pose, sand glass counting the time passed with the other as the only one worthy, series of frames which characters in relief draw letters and words humorously, dancers writing in the space the word Dance

Brussels, Belgium


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Martine Edelman

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Ian Norbury
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A perfection of shape we could say realist if we were satisfied with the mere surface of things but which is much more than that, endowed with an expression and a suppleness confining to the flesh natural that is sometimes adorned with rosebuds, portraits marked with a touch of sadness or melancholy, fairy-tale characters coming to life in the warm material of wood.

Cheltenham, England, United Kingdom


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Ian Norbury

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Booty Babe Art (Spencer Davis)
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Sculptures with round and carnal shapes, dolls with callypige a charm far from the anorexic stereotype of classical pinups, heroines or femmes fatales with curves, a heart-shaped mouth or a radiant smile, a texture we guess soft and warm.

Las Vegas, Nevada, United States


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Booty Babe Art (Spencer Davis)

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Mark Ricketts

Plastic and round shapes, an abstraction of the female body in a sweet red and black material, an invitation to the delicate caress for those shapely objects that attract the hand as well as the eye.

Kingston Upon Thames, England, United Kingdom


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Mark Ricketts

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Nacéra

Nudes with soft lines and arousing sensuality, a grace magnified by the bronze which shiny patina pays homage to feminity even in the faces with their relaxed and serene features, tall ladies whose lightness of lines refers to the timeless feminine grace.

Essonnes, Île-de-France, France


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Nacéra

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Isabelle de Grandmaison

Pocket cupids with full and sensuous shapes that hold well in the hand, smooth bronzes, frolic and extravagant sculptures of free sensual women with roundnesses in their prime.

Sète, Languedoc-Roussillon, France


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Isabelle de Grandmaison

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