Incubus' Choice


3d Love Dolls

Graphics: Women


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Javier Azurdia

Colorful mists where evanescent bodies are melting within the settings, the frail softness of the skin intermingling with the air in a bath of oblivion, revealing the curve of a hip, a curvacious back already disappearing, surreal details in light touches and Mayan sculptures, curvy rounded shapes, a sensuality coming out of the shape and the light that caresses it, feelings following each other in an endless whirl.

Antigua, Guatemala


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Javier Azurdia

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Cesáreo Young

Stains and streaks of paint, ravages of time on the art work to unveils its true nature and the temporality that closes in on it as well as on us, and behind those pretenses of a misleading appearance, in the vivid colors defining the surface of the things, we can see stories taking shape, characters moving around. But this is already limiting ourselves to one single point of view, to only one series of this artist who knows how to unbalance us with a mere detail or a shape that will drive us to the unknown.

Panama


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Cesáreo Young

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Sukiho

Young Asian beauties in lingerie and glamorous soft enhanced colors to better highlight their velvet-like texture, lascivious poses and teasing looks, intimate close-ups offering both the flesh and the many desires coming with, the whole of it in a photorealism tinged with photomontage, a truthful oil painting technique, and a small adult-oriented gallery where the ladies are not alone anymore.

London, England, United Kingdom


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Sukiho

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Porno cero uno net

Graphic art with messy pixel, between ASCII art and electronic psychedelic state, each page is a sound and visual experience, housy rythm and moving pictures, low-tech graphism and minimalistic research where we find nearly subliminal shapes and pictures so difficult it is to draw a meaning out of them in the course of a movement of the cursor in this maze of meaning.


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Porno cero uno net

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Jinyoung Shin

Bony skinny bodies, prosthesis and crutches, long emaciated limbs, and yet remains a je ne sais quoi of grace, an undefinable movement, and those sad dark-ringed eyes resulting from too many insomnias are still loaded with emotion and move us, overflowing with some kind of hope nevertheless.

New York City, New York, United States


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Jinyoung Shin

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Sad smile (Viacheslav Levanovich)

Lively lines for Indian ink portraits full of sweetness and realism where some touches of colors are sometimes mixed, and artwork digitally enhanced to get the best from all medias.

Minsk, Belarus


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Sad smile (Viacheslav Levanovich)

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Love Ariel
Close-up on Love Ariel

Dark artworks often transfiguring the themes of death and suicide while mixing symbols of saintliness and otherworldliness, the marks on the bodies and those from beyond, mystic auras giving them a new dimension under the shape of feathers made of light, as well as more sensuous portraits which blood flows out of the wound in fuchsia.

Sydney, New South Wales, Australia


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Love Ariel

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John Watkiss
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Poses full of a beginning of the century romanticism, languorous eyes, luminous golds, the voluptuousness of the curves, veils and light dresses that suggest rather than show what imagination loves to fill, and a great serenity that fills those paintings.

United Kingdom


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John Watkiss

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Giovanni Ambrosetti

Some flaming paintings in the warm colors of the fire consuming the bodies as the spirits, revealing the curves and their secret alcoves in the swaying of the bodies that seem moving, nudes from nature looking like flowing like melting glass, strangely malleable in that weightiness of the flesh calling for kneading and shaping, the contact of the hand that will bring its vigor back with appropriate caresses, and glass pastes, translucent mysterious objects, anatomical castings with moving details.

Geneva, Switzerland


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Giovanni Ambrosetti

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Sylvain Lainé
Close-up on Sylvain Lainé

The petites femmes of Paris, delightful portraits of prostitutes in bars as we imagine them, made up and lightly dressed, sexy and approachable for a talk, a drink or maybe more, as they are women before all, and that’s what their charm is made of, leant on the bar in a very tender representation, and a little more naughty series, from gallantries to brothels, flowery scenes of merry parties and houses of ill repute from the beginning of the century.

France


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Sylvain Lainé

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