Sad smile (Viacheslav Levanovich)
Lively lines for Indian ink portraits full of sweetness and realism where some touches of colors are sometimes mixed, and artwork digitally enhanced to get the best from all medias.
Minsk, Belarus
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Love Ariel
Dark artworks often transfiguring the themes of death and suicide while mixing symbols of saintliness and otherworldliness, the marks on the bodies and those from beyond, mystic auras giving them a new dimension under the shape of feathers made of light, as well as more sensuous portraits which blood flows out of the wound in fuchsia.
Sydney, New South Wales, Australia
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John Watkiss
Poses full of a beginning of the century romanticism, languorous eyes, luminous golds, the voluptuousness of the curves, veils and light dresses that suggest rather than show what imagination loves to fill, and a great serenity that fills those paintings.
United Kingdom
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Giovanni Ambrosetti
Some flaming paintings in the warm colors of the fire consuming the bodies as the spirits, revealing the curves and their secret alcoves in the swaying of the bodies that seem moving, nudes from nature looking like flowing like melting glass, strangely malleable in that weightiness of the flesh calling for kneading and shaping, the contact of the hand that will bring its vigor back with appropriate caresses, and glass pastes, translucent mysterious objects, anatomical castings with moving details.
Geneva, Switzerland
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Sylvain Lainé
The petites femmes of Paris, delightful portraits of prostitutes in bars as we imagine them, made up and lightly dressed, sexy and approachable for a talk, a drink or maybe more, as they are women before all, and that’s what their charm is made of, leant on the bar in a very tender representation, and a little more naughty series, from gallantries to brothels, flowery scenes of merry parties and houses of ill repute from the beginning of the century.
France
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Thomas Petit
Strong colors intemingling and juxtaposing themselves to create really erotic portraits, textures and streaks giving a true presence to the painting, as do those eyes and mouths in collage, and always a penetration, in the foreground and yet strangely trivial, the accent being put on those transfixing eyes that question us, viewers and voyeurs.
Rouen, Haute-Normandie, France
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Ariock
Fantasy monsters, nightmare creatures a bit morbid from beyond the grave or from outer-space to overwehlm with pleasure beautiful curvaceous inhabitants of the Earth with attractive curves, some pinups inspired by heroic-fantasy and science-fiction, very luminous airbrush pictures with bright metallic pieces and soft female forms.
Bedford, Nova Scotia, Canada
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Ida Belogi
The imagery of catholic saints nicely devious to give a new meaning to the religious ecstasy in very pure colors, artificial evanescent creatures of a great softness, mechanical dolls with empty eyes to figure pornography, lesbian kisses of a real tenderness.
Rome, Latium, Italy
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Lu Cong
Sensible portraits in a pixelized pointillism, the surfaces and the skin cut in a multitude of tiny rectangles reflecting a particular light, geometric play on surface and volume to reach that feeling of quietness, of trick and truth at the same time, warm intimate colors.
Denver, Colorado, United States
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Yehrin Tong
Lines, curves, arabesques, and embellishments filling up space with volutes around graphite faces of a very sensual realism, an impression of surrealism and glamour magnified by the shapes, in a very soft lightness.
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