Kristof Van Heeschvelde
Scenes of bondage and submission juxtaposed to everyday life scenes, a man sitting on a bench in a park, a woman waiting for the bus with her suitcase, a mother taking care of her child, and side by side, a woman tied up on a rack or with ropes, the face hidden with her hairs in a total dehumanization, in the pale tints of ochre so luminous they become transparent, furthermore adding to the unreality of the evoked scenes.
Ghent, Eastern Flanders, Belgium
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Peter Bratt
A very stylished eroticism, flat tints in light colors, projected shadows, shine in relief, an atmosphere at the same time glamour and remote, scenes half-way between explicit and pinup, a freshness and a lightness of tone which sometimes contrasts with the evoked scenes.
England, United Kingdom
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Luh
Nona Dragonfly’s portraits have the lightness of the white counterbalanced by the black’s presence in leather straps, chains and torn fishnet stockings, and the hands which are added to that body as her own but a bit too numerous to belong to the realm of realistic give to the multi-faceted poses of that character a strange ambivalent unreality. As for the colorful illustrations of Georges Bataille’s Erotic poems, they transform a book-object into an art object in blue and flesh dominant colors. Following logs and travel books, and a scrambled diary to keep some intimacy to the artist and yet share her illustrations in a fantasized warped vision.
Paris, Île-de-France, France
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Erotica graphica (David Selwood)
At the Cabaret des Vampires, death is the ultimate union and victims end in a state half-way of ecstasy and pain in complex prosthesis for their torturers’ delight, whereas in the Cirque bizarre as in the Cirque érotique, intercourses with machines and human beings are set as even, mixing submission, bondage and slavery with motorbikes hybridizing desire and death, and when pinups put their hand on guns or scooters, they usually lead them astray for their own pleasure.
United Kingdom
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Art Van Kampen
Crossing and exercising legs in the delicious froufrou of the stockings and the garters, platform shoes and high heels to perfect the calf’s shape of an arousing curve, skirts spinning around and unveiling the thighs till the unutturable border of the underwears… How could we not be seduced by those never-ending legs that never stop to draw the eye like creatures with a life of their own?
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Pat Hobaugh
Still lifes dedicated to the pleasure of the senses, plays on material transparency and warped reflections in metal carafes, flowers and fruits, realism of the fabric with nearly palpable feel, and amidst all of that, dildos, Gaisha balls, cigarettes stubbed out in ashtrays, bottles of alcohol, a disparate collection like a blink to Flemish maters in a reolutely postmodern derision.
Madison, Wisconsin, United States
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The fetish art
Warm colors and all the tense energy of those beauties grappling with tightly-fitting ties and gags, stilettos so high the arch of the feet is pushed to its physical limit, poses with lovely legs untiringly sexy, reflections giving life to the volumes in an arousing light.
Lorraine, France
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Eve Poland
Women a bit fetish with their extravagant hairs, their almond-shaped eyes and their aerial eyebrows, acrylic paintings with fresh and ingenuous flat tints contrasting with the whips and horsewhips they like to keep at hand.
Brighton, England, United Kingdom
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Zak Smith
A series devoted to a distinctive fantasy, with a slight Japanese taste, where lovely young girls love octopuses in a singular and surrealist mosaic of 100 paintings, striking colors in a kaleidoscopic composition or a serial collage work, playing at the same time on the extravagancy of the settings and the simplicity of the faces.
New York City, New York, United States
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Nigel Cole
Sensual and realistic graphite nudes, but particularly poney girls dressed with leather straps, bondage scenes in soft torture that let the good deal to the plays of light on leather and latex, series with Bettie Page and Joanne Guest, erotic and glamor pinups…
United Kingdom
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