Otium Corpus (Oddred)
Quiet atmosphere and flesh offered in risqué underwears, almost clinical study of the body shown in a cold light, adorned with black plastic ribbons delimiting the areas of pleasure and keeping this woman eyes closed, a woman offered as an object of pleasure to the stranger, faceless masked succubus in a bare concrete underground place.
Paris, Île-de-France, France
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Atsushi Tani
Photographs tortured with liquids and various marks to tarnish their radiance, and models mistreated then nursed, with bandages and crutches, laying down on the ground or in stairways, propitiatory victims of medical rites whose bodies have sometimes been surgically rebuilt to an absurd level.
Japan
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Fetish lover
Whimsical collection in colorful superimpositions, overlapping universes answering each other in a visual poetry, models as personal muses, butterflies, machines, textures, sculptures, everything becomes entangled and delivers itself in a maelstrom, in a visual and original jubilation, in a play on matter and eyes.
Montreal, Quebec, Canada
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Herr Buchta
Strong pictures to show all the colors of pain, freely agreed or not, faces and bodies martyrized to the point of no return with a madness at work, the religious iconography subverted and devious, games of flesh and blood and struggle marks.
Krefeld, North Rhine-Westphalia, Germany
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Tim Garner
Black and White photographs rendered older by scraping and painting, stained by chemical products and mistreated to excess to appear like some surviving collection of an improbable wreckage and to provide them with both an anonymity and a rich history that remains for us to invent in a personal appropriation that gives free rein to our imagination.
England, United Kingdom
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Molly (Antone Pavlov)
Come and see Molly, the dummy with the crazed eyes and open mouth of a pleasure-dedicated sex doll, with spindly limbs and pilosity reduced to her bob hairs, and who has the unfortunate habit to spill her urine wherever she likes. If she adorns herself with long gloves and latex tight boots, she can also be decorated with a tight-fitting corset. An eroticism that verges just between reality and imagination in a B&W portraits gallery figuring a dehumanization of desires and the search for a disconcertingly genuine aesthetic.
Brighton, England, United Kingdom
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Aleksey & Marina
Streaks, burns, alterations, scratches, stains and light veils in translucent skin that spreads and dries, filter of the woman who hides and shows herself between the cracks, corseted or bound, (un)dressed of leather and latex, chained to the voyeur’s desires, mistress of her voluptuousness in those strange games which only the devices are innocent, in those fantasies of past futurism, in those tender and voluptuous dreams.
Saint Petersburg, Russian Federation
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ravished.org (Rik Garrett)
B&W photos made older by mechanical and chemical processes, and by the use of a light coming beyond the grave with gothic glare, transfers and polaroids with faded, stained and peeling colors like saved from an attic or the bottom of a drawer, with sometimes nightmarish accents as when the portraits seem to have been made post mortem, or the eyes are rolled upwards.
Washington, United States
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Imagebunker (Knut Ehret)
Portraits in double or multiple exposures, visual connotation that adds a texture, a movement or a feeling, unreality of the dream or colored alienation, as well as bondage, symbolic or showing captured and wrapped preys for a postponed feast, going from knot to web and net, without neglecting chains with more intransigent heaviness.
Laichingen, Baden-Württemberg, Germany
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Érick D. Panavières
When body modifications, tattoos, piercings and scarifications, redraw the bodies, Érick D. Panavières adds a layer of mystery, particular textures and light to define a fantasy and oppressive ambiance.
Mérignac, Aquitaine, France
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