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Women: Photomontages


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Frank Rozasy
Close-up on Frank Rozasy

Psychedelic colors, extravagant colorful forms, filters applied with immoderation, sometimes to excess, a unique muse occupying his thoughts and canvas he dresses with a kitsch exuberance in the sweet lunacy of an obsessive passion, and also portraits in cat woman, angelic poses in the clouds, veils as diaphanous as caresses…

Santa Monica, California, United States


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Frank Rozasy

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Kim Joon

Digital tattoos covering the skin with their monochromic arabesques, blue, green, pink or black embellishments echoing floral arabesques, leather or snake skin textures where are drawn birds, flowers and volutes that would make nearly forget the gracious curves they adorn with their patterns, and the legs and arms added in abundance to the main body.

Republic of Korea


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Kim Joon

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Ingrid Baars
Close-up on Ingrid Baars

Very light pictures superimposing themselves in crystal transparency, each one revealing the other in its depths, mixing it up to redefine itself, to spread in a new direction, altering the first meaning we were giving it without warning, twisting it, turning it inside out to show us what is usually hidden, beyond the mere view, or warping it of a strange subtlety until reaching a feline untamable svelteness.

Netherlands


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Ingrid Baars

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Sandy Viktor Nys
Close-up on Sandy Viktor Nys

Angels, priests or sinners, archetypes, nymphs or fallen angels, Sandy’s depicted creatures feed on myths and legends and make us dizzy with a dark goth sensuality even more pronounced with the fantasy settings around in a pagan alchemy made of magic and unknown that gives them back that mysterious dimension we forget too easily.

Aarschot, Flemish Brabant, Belgium


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Sandy Viktor Nys

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Mirrotica (Nora Ness & Sander Steins)
Close-up on Mirrotica (Nora Ness & Sander Steins)

Nora Ness’ self-portraits with her camera so often prominently shown like a reminder of her presence on both sides of the camera associated with Sander Steins’ romantic montages with a darker je ne sais quoi, a depth adding itself and transposing the mere poses in a different visual world, like a touch of infused glamor, a lighting bringing its own light and a new point of view.


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Mirrotica (Nora Ness & Sander Steins)

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Richard ChauDavis

Jamming of bodies and attitudes, visual energy refracted in the ether in multi-layered superimpositions, crudeness of the flesh in a sexuality that seems frantic through it, out of any control and measure, testimony inspired by the motels and the encounters taking place within in the anonymity of their impersonal furniture, with always a Bible lying around in an empty drawer.

San Diego, California, United States


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Richard ChauDavis

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Stephen Swartz

Visual reflexions on body and space, nudity and volume, and the ways we see them, imprisoning them inside as many dimensional cages, distorted perceptions of those emerging pictures that link sex to nudity, categorizing and thus limiting further on the vision, but also postmodern geishas between disguise and cross-dressing, between symbolic appropriation and perceptive filter.


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Stephen Swartz

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Spiral

A treatment of light made matter in which surreal scenes are plunged into, warm and sensual amber that preserves them and offers them to us as fragile objects to contemplate, bearing unfinished stories that each detail invites us to imagine, sugary soft things that melt under the eye and exhale sensuous perfumes carrying the senses away.

Truro, England, United Kingdom


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Spiral

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Alberto Seveso
Close-up on Alberto Seveso

Volutes of colored papers that draw bodies within the emptyness they enclose and vanish like a smoke, an idea of woman that comes out with faces and hands parts, remaining pieces of cloth as clues, transparencies as marks of the being, a dissolving in progress into a strange and convoluted fantasy.

Rome, Latium, Italy


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Alberto Seveso

Menu > Women > Photomontages
Michaël David André

Distorted bodies, faces with only one giant eye, big famished mouths, and yet a very strong expression of a desire being fulfilled (over)played by actors in pornographic productions, made just enough out of focus for the strangeness of those beings does not hurt us with full force but enters into our consciousness until occupying it completly of its raw emotion.

Paris, Île-de-France, France


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Michaël David André

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