Alain Borjon
A full game of chastity and desire in those series of lingerie where the mere crease of the silk, the simplest strap sliding on a shoulder rouses the senses, artistic nudes with wonderful curves, the light stroking them and flirting on them with the tender warmth of lovers’ breath, portraits of a feminity we dress of our fantasies with the concupiscence of unsettled imaginations, building our own stories around them.
Lyon, Rhône-Alpes, France
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Simon Chaput
A shadow emerging from darkness to define a curve, a feeling coming to life in the orb of a breast, the voluptuousness of a hips, in that luminous border that keeps on driving the eye, sudden dazzlement of the drawing body so close to us, the grain of its skin as soft as velvet, the movement of a leg folding, of an arm stretching as would do a dreaming beauty we would be afraid of awakening, too much hypnotized by that sublime beauty, that indescribable moment.
New York City, New York, United States
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Geoffroy de Boismenu
TV sets in living rooms or bedrooms, something very ordinary indeed, but the frozen frames on their screens show faces living through (acting?) some very intense moments, vacations snapshots when the change of scene and the distance from everyday life awake new desires, twisted billboards depicting undressed murdered bodies or lascivious pornography in a true culture clash – there’s nothing to be sold here –, love scenes in a voyeuristic intimacy, pictures as stories, She said no!, She said yeah! or No sex today.
Paris, Île-de-France, France
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Mariano Vargas
Galleries of madonnas, back and forth movement between the modernity of those bustyful beauties and the classicism of their poses and of the paintings in the background, playing with the eyes and postures with all the Christian symbolism of the woman and child, sometimes replaced here by a doll or a robot dog, dizziness of a never complete nakedness as always dressed of at least a piece of fabric or a pair of shoes, like a necessary step toward a full nudity that will be or will be not, a story waiting to be lived.
Algeciras, Andalusia, Spain
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Lars Deneyer
Thin, nearly bony bodies, which hips bones stick out in a friendly shade that protects this unsettling meeting of hardness and weakness, interlockings of flesh where each concavity meets a convexity to fit its shape, delicate sensuous curves of the skin rubbing on another skin scattered with freckles, game of balance and surrender in a quiet softness.
Brussels, Belgium
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Leta Evaskus
Study of the female form in the anamorphic depth of an electric bulb that lets see through plastic dummies like as many representations of an artificial feminity with bald head and amputated limbs, superimposition of bodies in colors and X-rays photographs in a Black and White coldness to show the flesh and what’s within, androgynous portraits questioning the genders and the boundaries between them.
United States
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Floyd Hardwick
Women with touching curves, often chained up awaiting who knows who or what, with in the eye an expression of a desire rather of a petition, glamorous vamps with whip within reach to bring to heel the indelicate ones, latex-sheathed creatures of an arousing sensuality playing by turns the mistresses and the slaves of our desires.
Los Angeles, California, United States
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Konstantin Korneshov
A deliciously retro atmosphere fills those hand-painted Black and White photographs in a sepia tone with faded colors, often altered with craquelures and tears, to give to those portraits of maids and dancers, fiancées and circus girls, that peculiar dimension of memories found in an old cardboard box smelling of dust and old papers.
Moscow, Russian Federation
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Viva Van Story
Good old days pinups with a deliciously retro charm as sexy as ever, poses with hot rods and sensually-curved bodies, a revisited genre crossbred with gothic and fetishism till the starlets of burlesque in leopard skin, all the faces of pinups in a vision at the same time modern and true to this genre style.
New Jersey, United States
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Aaron Hawks
An often crazy vision of nudity, as in the touch surreal settings looking like forgotten attics or abandoned apartments as in the poses and expressions confining to a theatrical production, especially in the fetishist works playing on the incongruity of the characters juxtaposition, and colors navigating between sepia and the saturation of the faded tints of a dismissed past.
Emeryville, California, United States
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