Incubus' Choice



Graphics: Women


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Deirdre But-Husaim
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Colorful and glamor pinups in a style that reminds of the fifties, but with a little something more, a twin duality that ties them mirror-like to their double, polymorph creatures with strange loves, or adorned with plant-like attributes, hybrids whom hands are delightfully poisonous, terribly feminine and attractive in spite of those differences or thanks to them, like snares waiting for willing preys.

Adelaide, South Australia, Australia


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Deirdre But-Husaim

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Martine Emdur

The waters are rough of the waves undulation, their transparencies let us catch a glimpse of the colorful bottoms they treasure, and when we let us draw under the surface, we find there the slender limbs of sirens swimming in that liquid element ran through by luminous glories, the surface watered effect being reflected on the smallest sandbank.

Australia


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Martine Emdur

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Sarah Bishop

Callipyges with silouhette exuberant of curves and tiny waist, fleshy carnal thighs in sexed representation of the object of misdemeanor and desire, magnifying glass effect on that forbidden fruit toward which drift the eyes until they give it a fantasy dimension looking sensually gluttonous.

Bunnan, New South Wales, Australia


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Sarah Bishop

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Wessi Benderliev-Karlhofer
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Labyrinths in which beauties are trapped in the irresistible snare of complex webs and end there tied, cocoons of exposed desires left to those unknown coming Minotaurs, fallen angels in a lascivious expectation offered to the judgement of the flesh, in luminous blues of veiled skies.

Vienna, Austria


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Wessi Benderliev-Karlhofer

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Annelie McKenzie
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The luminous and deep colors of chalk pastel give to those portraits an extreme presence and transparency, in sketches at the same time tender and severe for the passing time and its ravages, and the pointillist and saturated paintings peppered with flowers looking like amoebas give the feeling that the model is part of a blurred and cosy space which borders do not stop at her body but incorporate her in a whole.

Long Beach, California, United States


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Annelie McKenzie

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Chosen pieces (Alain Peyret)

Chosen pieces to focus on the essential, on that body part that makes quiver the soul and gives dizziness to the senses, letting everything else in the shade to take great delight of them later, with the patience of the aesthete who knows that waiting is part of the pleasure.

Pierrelatte, Rhône-Alpes, France


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Chosen pieces (Alain Peyret)

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Tristan Schane

Nude draped in veils resembling shrouds, a feeling even more enhanced by the presence of skulls, symbolism of life and death, characters with dry thinness in surreal settings, the whole in a realism of tints and shapes.

United States


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Tristan Schane

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Savo (Sabrina Voisin)

Warm colors of tango standing out on entrancing darkness, sensuousness of the soft lights that caress the forms of those delicate nudes, presence of the material that imposes itself and adds a texture and a patina, styles, techniques and imaginations intermingling in a permanent search, a desire to embrace the world.

Liege, Belgium


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Savo (Sabrina Voisin)

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Catherine Abel

An Art deco wind with cold colors and hard lines which poses, looks and that light shifting of the neck send us in another time while some curves remain more contemporary to us, a homage to that period which glamor and aesthetic grace are rendered with passion and brought up to date by small touches, at the same time inspiration and personal reading.

Paris, Île-de-France, France


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Catherine Abel

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Odile de Schwilgué
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Bodies with delicate roundnesses that resolve in unreal ribbons, a soft and sensual light adorning them with a velvet-like sweetness, callipyges in a quiet ambiance between surrealism and romanticism, in that twilight space of all possibilities, accessible by those already fading portraits as the ribbon unrolls.

France


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Odile de Schwilgué

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