Jan Mattheus de Grauw
An African inspiration for moving portraits and an evocation of the nude male body, in realist treatment of blindfolded prisoners under the impassive eyes of their jailers or colorful gouaches with more blurred outlines in a very soft and respectful approach of nudity.
Rotterdam, South Holland, Netherlands
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Brian Biedul
Confined in the rectangle of the canvas, the models struggle to haul themselves out of it and take up in so doing the small piece of space allotted to them, the muscles bulge with the strain and the faces contort, realistic study of the frontiers of body and space on a white background with no other scale or depth than the ones given by the model.
Mar Vista, California, United States
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David London
A micro-gallery for some graphite portraits rendered with realism and sensuality, a very luminous light that bathes the torsos and shows the muscles down to the last detail.
South Portland, Maine, United States
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René Capone
Pictures echoing with energy, vivid colors and vertical or horizontal streaks, glories or bars of light, colorful strains like fleeting feelings, and a lot of emotion, a very tender sensuousness that emerges from the canvas.
San Francisco, California, United States
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George Quaintance
Idealized Far West settings and virile friendships exhibited in a casual and nonchalant way while being languorously erotic, with tight-fitting jeans and cowboys outfits, stopping-over sailor and baths in refreshing waterfalls, themes become classics to which Georges Quaintance has knew to give a real start.
United States
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Robert C. Rore
Whether they are depicted on watercolor, oil painting or drawing, the men by Robert C. Rore have the cosy muscles of sporty animals at rest, the manliness and natural of nudity, while keeping a sensual softness that particularly expresses itself at nap time, to which they give way to with passion.
Munich, Bavaria, Germany
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Kumo Ki (Roland Schwarz)
Monochrome paintings to explore the bodies’ shape and the light that caresses their curves and gives them some relief, orangey, blue, brown, green and lilac, a kaleidoscope with tender colors and a sweet romanticism for those lusty guys with round muscles.
Maspalomas, Canary Islands, Spain
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Matthew Stradling
Luxury in strings of pearls and silk sheets as only parure for those ephebes who play saints with their cheap halo, glamorous portraits combining the same themes with the nacre sheen and sometimes with a skull, ultimate symbol of our vanities, a deliciously kitsch and decadent Christlike imagery.
London, England, United Kingdom
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John Gormsen
Half-nudes leaving up desire to fill in the space out of the frame, cold colors and lines hard enough to play the ambiguity with a statuesque abstraction, an aesthetic of sport strength on which light glitters or takes refuge in the favorable shade.
Avignon, Provence-Alpes-Côte d’Azur, France
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Coju (Corinne Jumet)
Lines, mere lines to draw silhouettes, to caress curves of the eye and make appear a body, naked or almost, an equivocal situation, the span of a reverie on human nature and its fantaisies so easily awoken, as well as acrylic paintings where lines go surfaces, where the lightness of the line lets place to the density of matter and colors anwering each other.
Visé, Liege, Belgium
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